Marco.org

I'm : creator of Instapaper, technology writer, and coffee enthusiast.

Review: Sennheiser HD 380 Pro headphones

Sennheiser has outdone themselves with the higher-end sibling to the HD 280 Pro.

I’ve written often on this site about how happy I am with the pair of 280s that I’ve had, going strong, since 2005. They’ve always been my office headphones, staying at work through three different jobs, affixed to my head for many hours per day. They passively block outside sound very well, and my coworkers can’t hear my music because the 280s are not “open”. Coworkers have always been so impressed by my 280s that many of them have bought their own. Whenever I fly somewhere, I bring the 280s, even though they’re huge and have a big, coiled, unwieldy cord, because they’re so comfortable for long periods and block out the plane noise so well.

But recently, Sennheiser quietly released a higher-end model: the HD 380 Pro. (Well, it was released two years ago. In the world of headphones, that’s “recently”.) I wasn’t motivated to try them since my 280s were going strong and I could never find the 380s in a store to test. But I recently got them as a gift (thanks, Mom!). And I’m sure glad I did.

I knew it would be difficult to surpass my love for the 280s, and I wasn’t sure if the 380s were worth almost twice as much money:

In short: the 380s are completely worth it.

Headphones are difficult to compare objectively, and different listeners have different preferences, especially regarding comfort. But they’re remarkably better than the 280s:

I’d love an option to replace the heavy, coiled cable with a shorter, straight one. (The cable is replaceable, but I don’t know of any alternatives to replace it with.) Otherwise, I have no complaints.

If you’re looking for a great pair of closed headphones for mostly stationary use, I can’t recommend these two models enough. The 280s are great. The 380s are greater. And neither are very expensive, as good headphones go.

If you already have the 280s and wonder whether it’s worth upgrading, it depends. How much do you use your headphones? How much do you care about these differences? And how much will you miss the money?

I wear my big headphones constantly while working, and if they’re anything like the 280s, it’s probably safe to assume that these 380s will outlast at least my next four computers. An extra $80 for a significant upgrade on such a long-lasting, heavily used product is an easy sell for me.

Highly recommended.

If you’d like to buy a pair of 380s, I’ll get a small commission if you use this Amazon link. Thanks.

The next SOPA

Every few years, the MPAA’s lobbying power, rhetoric, and immense campaign contributions succeed in purchasing a bill in Congress to advance their agenda in a way that’s hostile to the technology industry and consumers.

Their bills have had mixed success and usually die before being brought to a vote, but SOPA and PIPA came frighteningly close to becoming law. The internet-wide protest this week seems to have stalled their progress and probably killed them for now.

But what will happen when the MPAA buys the next SOPA? We can’t protest every similar bill with the same force. Eventually, our audiences will tire of calling their senators for whatever we’re asking them to protest this time.

Eventually, we will lose.

Such ridiculous, destructive bills should never even pass committee review, but we’re not addressing the real problem: the MPAA’s buying power in Congress. This is a campaign finance problem.

We can attack this by aggressively supporting campaign finance reform to reduce the role of big money in U.S. policy. This is the goal of groups such as United Republic and Rootstrikers.

It’s also worth reconsidering our support of the MPAA. The MPAA is a hate-sink, a front to protect its members from negative PR. But unlike the similarly purposed Lodsys (and many others), it’s easy to see who the MPAA represents: Disney, Sony Pictures, Paramount, 20th Century Fox, Universal, and Warner Brothers. (Essentially, all of the major movie studios.)

The MPAA studios hate us. They hate us with region locks and unskippable screens and encryption and criminalization of fair use. They see us as stupid eyeballs with wallets, and they are entitled to a constant stream of our money. They despise us, and they certainly don’t respect us.

Yet when we watch their movies, we support them.

Even if we don’t watch their movies in a theater or buy their plastic discs of hostility, we’re still supporting them. If we watch their movies on Netflix or other flat-rate streaming or rental services, the service effectively pays them on our behalf next time they negotiate the rights or buy another disc. And if we pirate their movies, we’re contributing to the statistics that help them convince Congress that these destructive laws are necessary.

They use our support to buy these laws.

So maybe, instead of waiting for the MPAA’s next law and changing our Twitter avatars for a few days in protest, it would be more productive to significantly reduce or eliminate our support of the MPAA member companies starting today, and start supporting campaign finance reform.

Designing “Mute”

An iPhone alarm disrupted a Philharmonic performance:

Actually, [the iPhone owner] said he had no idea he was the culprit. He said his company replaced his BlackBerry with an iPhone the day before the concert. He said he made sure to turn it off before the concert, not realizing that the alarm clock had accidentally been set and would sound even if the phone was in silent mode.

And a lot of people started condemning the iPhone mute-switch behavior, which doesn’t mute all sounds all the time.

John Gruber defended Apple’s implementation. Andy Ihnatko strongly disagreed and argues for a hard-line “‘Mute’ mutes everything” implementation.

The iPhone makes very few exceptions to the Mute switch.1 For the most part, exceptions to the Mute switch are:

Apple’s guidelines for developers clearly illustrate their rationale:

For example, in a theater users switch their devices to silent to avoid bothering other people in the theater. In this situation, users still want to be able to use apps on their devices, but they don’t want to be surprised by sounds they don’t expect or explicitly request, such as ringtones or new message sounds.

The Ring/Silent (or Silent) switch does not silence sounds that result from user actions that are solely and explicitly intended to produce sound.

In other words, the Mute switch silences sounds that the user didn’t ask for, but not those that the user explicitly requested. Users are fully in control, in that sense. My iPhone has never made a sound while muted that I didn’t ask it to make.

Ihnatko frames this as Apple’s arrogant design:

My philosophy is “It’s much better to be upset with yourself for having done something stupid than to be upset with a device that made the wrong decision on its own initiative.” …

Apple’s most notable successes and failures usually spring from the same basic company mindset: “We know what the customer wants better than the customer does. …”

Apple certainly shows that attitude a lot (and is often right), but that’s not a fair characterization here.

The user told the iPhone to make noise by either scheduling an alarm or initiating an obviously noise-playing feature in an app.

The user also told the iPhone to be silent with the switch on the side.

The user has issued conflicting commands, and the iPhone can’t obey both.

It’s a typical design problem: it can’t be heavy and light and big and small. Neither decision will satisfy everyone all the time or cover every edge case: if Apple implemented Mute in Ihnatko’s preferred way, millions of people would be just as irritated when their scheduled alarms didn’t wake them up.

When implementing the Mute switch, Apple had to decide which of a user’s conflicting commands to obey, and they chose the behavior that they believed would make sense to the most people in the most situations.

That’s good design.


  1. Ihnatko’s “Case ‘B’” wouldn’t really happen: when muted, alerts from iCal and Reminders only vibrate. 

  2. Siri is great for setting timers. After putting the quarter in the parking meter, as I’m walking away, I can put the phone up to my face and tell Siri, “Set a timer for 37 minutes.” 

  3. If only built-in apps were allowed to bypass Mute, we would complain that developers couldn’t make useful alarm apps and Apple was being evil. (Update: Oops.) 

Ads via The Deck